Sunday, 25 January 2015

Music as a business: Learning points


I’m going to start with the most obvious statement, just to get it out of the way—music is not a business, it’s an art. Business is something you do to make money, art is fun, love and applying skills to entertain and cause change.

But if you are artist man or woman who jerks at the sound of a swirling coin on concrete ground, you need to learn about music as a business because it goes without saying, you are struggling!

It’s not the absolute formulae, but I’ve written down some of the most important things you can look into;


Decide what you want!

It’s not a tough thing to figure out what to do with your art. If it’s business, stop thinking of yourself as an artist ever again, you are a business mindand the art is your product! This means creating a product that has a hungry audience. Competitors will claim you’re not a better artist, especially in Hiphop but yes, remember what we said in the second line.



Make use of various revenue sources


Having multiple revenue streams is a tried and true method of ensuring financial stability in any business. Make your music available in all trusted sources you are assured of getting something in return and solely depend on no one in particular. Simply, don’t cling onto one source as the father and mother, you will starve to death. Sometimes the mother is attending to other kids, and the father is out watching football.


Network

Make friends; artists friends, producer friends, presenter friends, anyone you know that can assist you in the industry. It takes two to tango.


You may like to read about:

The longest serving chart toppers on Mdundo

Bobby Mapesa and Vivianne share their experience together



Be a purple cow, cows are rarely purple

Being unusual is probably a bad idea in other professions, but it’s an asset in this. You know who are purple cows? Astronauts, Nobel Prize winners, Scientists. To sell art, it helps to grab the fan’s attention by creating works that are distinctly different from what already exists. It’s also smart for an artist to cultivate an aesthetic that is markedly his or her own. Famed artists such as Bob Marley, Yung Thug, Miriam Makeba, Sussan Owiyo all have one thing in common: their works look nothing alike.



Good Marketing Model

You are a brand, place is the ability to market your music, and yourself in the correct manner. Iv’e seen top musicians in Kenya who are very poor in branding/marketing. No hard feelings. Even the most basic things like photos matter. Get a photographer do like 10 proper photos and mail your media contacts, no one wants to use your poor quality Facebook photos. Be a professional, anything that touches you should be of quality. Now I’m not saying this is all, but using this example to illustrate my point: If you don’t promote yourself in the RIGHT way, you won’t go very far at all.

Is African Hiphop Recreating American?



International Hiphop should maintain A1 quality! Hiphop gets praised by diehards for remaining aboriginal, live and true to the genre’s roots.

American Hiphop scene has always been a huge church with very many styled ministers, and unstyled too. There is a ton of conscious music coming out, but wherever there is music there is crap music - you gotta have a super nerve to listen to a whole Yung Thug mixtape. That’s the state of US Hiphop.

Africa has a melting pot of it’s own! Matter fact, in 2014 commercial Hiphop in the region continued to make positive inroads, it was tried and tested. It’s graduation season 2015. But this lingering question though; is African Hiphop recreating American?



You might also like:

The longest serving chart toppers on Mdundo

Sautisol react to their loss to P-Unit


You can’t get an outright retort for that, but If we acknowledge that music practices flourish within a socio-cultural context and the fact that the world today is a ‘village’, the response to the question is a yes. We can therefore reason; American Hiphop scene has shaped the present African Hiphop practices we know. Our old homemade, distinctive scene is slowly fading.

While today’s commercial Hiphop in US is often critiqued for its shallow lyricism and degrading imagery, back here in Africa it’s the season for eye-catching flicks of champagne bucket-laden yachts, flashy cars, light girls in bikinis and the entire range of mixed messages that made American scene a success. Not bad, no finger pointing. See my previous post Dealing With Music As a Business In East Africa Part 1.

The way a voice sounds impacts the music an artist makes. In the early 00s a group called Silibil ‘n’ Brains landed a record deal in US by hiding their Scottish accents underneath a Californian drawl. A good number of African artists spill out in a casual American accent reflecting the image of American rap.

During one of our weekly Live Twitter Interviews with one of the best Hiphoppas in Kenya, Smallz Lethal, the rapper pointed out that "New cats need to step up their game, Hiphop is a lifestyle and originality is key."

But there’s a power African majority artists poses different from American. The use of African sounds, samples and the manner in which the lyrics are sung, rapped. It is from this context that the music of Africa must be seen as dynamic. Case study Sarkodie. The BET award winner is one of the most strategic commercial Hiphop artists in Africa. He is aware of the frontiers he’s crossing.

Kenya, Nigeria, South Africa, Ghana and Tanzania have a very active Hiphop scenes. Lyrically in that category, South Africans and Tanzanians will take the crown today. On a business perspective Nigerians and Ghanaians are doing great. Kenya is slowly picking up.

An important takeaway is Rap and hip-hop are still perceived as primarily African-American, and Africa made African American.

@swtsjakaqu

Monday, 22 September 2014

4 Jesus teachings from the Bible that everybody gets wrong!

It was once said, “religion is designed to comfort the afflicted and to afflict the comfortable.”

Jesus’ parables – short stories with moral lessons – were likewise designed to afflict, to draw us in but leave us uncomfortable.

These teachings can be read as being about divine love and salvation, sure. But, their first listeners – first century Jews in Galilee and Judea – heard much more challenging messages.

Only when we hear the parables as Jesus’ own audience did can we fully experience their power and find ourselves surprised and challenged today.

Here are four examples of Jesus’ teachings that everybody gets wrong:


1. The 'Parable of the Prodigal Son'




This parable is usually seen as a story of how our “Father in heaven” loves us regardless of how despicable our actions. This is a lovely message, and I would not want to dismiss it.

It is not, however, what first-century Jews would have heard. Jesus’ Jewish audience already knew that their “Father in heaven” was loving, forgiving, and compassionate.

It is Luke who sets up a message of repenting and forgiving. Luke prefaces our parable with two shorter ones: the Parables of the Lost Sheep and the Lost Coin.

The evangelist concludes them with, “There will be more joy in heaven over one sinner who repents than over ninety-nine righteous persons who need no repentance.”

But is this really what the parables are about? Jesus was not talking about ovine sin or coinage cupidity; sheep don’t feel guilty and coins don’t repent.

Moreover, the man loses the sheep; the woman loses her coin. But God does not “lose us.”

The first two parables are not about repenting and forgiving. They are about counting: The shepherd noticed one sheep missing out of 100, and the woman noticed one coin missing from 10.

And they searched, found, rejoiced, and celebrated. In doing so, they set up the third parable. The Prodigal Son story begins: “There was a man who had two sons … ”

If we focus on the one prodigal son, we mishear the opening. Every biblically literate Jew would know that if there are two sons, go with the younger: Abel over Cain, Isaac over Ishmael, Jacob over Esau, Ephraim over Manasseh.

But parables never go the way we want. We cannot identify with junior, who “squandered all he had in dissolute living.”

Next, if we see the father as surprising when he welcomes junior home, we mishear again. Dad is simply delighted that junior has returned: He rejoices and throws a party. If we stop here, we’ve failed to count.

The older brother – remember him? – hears music and dancing. Dad had enough time to hire the band and the caterer, but he never searched for his older son. He had two sons, and he didn’t count.

Our parable is less about forgiving and more about counting, and making sure everyone counts. Whom have we lost? If we don’t count, it may be too late.


2. The 'Parable of the Good Samaritan'




Our usual understanding of this famous story goes astray in several ways. Here are two.

First, readers presume that a priest and Levite bypass the wounded man because they are attempting to avoid becoming “unclean.” Nonsense.

All this interpretation does is make Jewish Law look bad. The priest is not going up to Jerusalem where purity would be a concern – he is “going down” to Jericho.

No law prevents Levites from touching corpses, and there are numerous other reasons why ritual purity is not relevant here.

Jesus mentions priest and Levite because they set up a third category: Israelite. To mention the first two is to invoke the third.

If I say, “Larry, Moe …” you will say “Curly.” However, to go from priest to Levite to Samaritan is like going from Larry to Moe to Osama bin Laden.

That analogy leads us to the second misreading.

The parable is often seen as a story of how the oppressed minority – immigrants, gay people, people on parole – are “nice” and therefore we should check our prejudices.

Samaritans, then, were not the oppressed minority: They were the enemy. We know this not only from the historian Josephus, but also from Luke the evangelist.

Just one chapter before our parable, Jesus seeks lodging in a Samaritan village, but they refuse him hospitality.

Moreover, Samaria had another name: Shechem. At Shechem, Jacob’s daughter Dinah is raped or seduced by the local prince. At Shechem, the murderous judge Abimelech is based.

We are the person in the ditch, and we see the Samaritan. Our first thought: “He’s going to rape me. He’s going to murder me.”

Then we realize: Our enemy may be the very person who will save us. Indeed, if we simply ask “where is Samaria today?” we can see the import of this parable for the Israeli/Palestinian crisis.


3. The 'Parable of the Laborers in the Vineyard'





This parable tells the story of a series of workers who come in at different points of the day, but the owner pays them all the same amount.

The parable is sometimes read with an anti-Jewish lens, so that the first-hired are the “Jews” who resent the gentiles or the sinners entering into God’s vineyard. Nonsense again.

Jesus’ first listeners heard not a parable about salvation in the afterlife but about economics in present. They heard a lesson about how the employed must speak on behalf of those who lack a daily wage.

They also discovered a prompt for people with resources: Attend to those who do not have jobs, and make sure everyone has what is needed.

Jesus does not invent this idea of advocating for the unemployed and sharing resources. The same concerns occur in Jewish tradition from King David onward. But, unless we know the biblical and historical sources, again we will mishear the parable.


4. The 'Parable of the Pearl of Great Price'





This parable describes a man who sells everything in order to obtain his prized pearl. It is usually allegorized to tell us about the centrality of faith, or the church, or Jesus, or the Kingdom of Heaven. But commentators cannot conclude what the pearl represents.

Perhaps they are looking in the wrong place.

We don’t recognize the parable’s initial absurdity today – the merchant (a wholesaler who sells us what we don’t need at a price we cannot afford) sells everything he has for a pearl.

He can’t eat it, or sit on it; it will not cover much if it’s all he wears. But, he thinks this pearl will fulfill him.

What if the parable challenges us to determine our own pearl of great price? If we know our ultimate concern, we should be less acquisitive. We won’t sweat the small stuff.

More, we become better able to love our neighbors, because we will know what is most important to them.

Jesus’ short stories provoke us because they tell us what, somehow, we already know to be true, but don’t want to acknowledge.

Follow @jkq_os

Monday, 15 September 2014

Sources: Wangechi's BFF Tiona contemplated her own death!


Sources have revealed that rapper Wangechi's best friend, Tionna Wang Chi, who died in a car accident over the weekend, almost joined the suicide sphere after suffering a bout of deep depression.

Tionna's personal blog shows that she contemplated suicide too many times after her parent's death. (Read the extract below).

The friends who were on their way to an undisclosed location are believed to have suffered a tire burst when the accident happened. The result was so severe that the car they were in was left a mangled wreck as they were rushed to Nairobi Hospital.

Tionna died after sustaining serious injuries.

Lately, I’ve been thinking of the time I was suicidal.. There really isn’t anything good about that time. I don’t recall a happy moment or a time I smiled. I was just… Dead, I guess. I was literally numb to everything, I had no one to talk to. Im an only child with two parents that are gone. The only thing I have left are my thoughts.. which aren’t good.

 I keep of thinking on that day.. maybe I should have continued to cut myself.. maybe I should have killed myself when I had the chance, I should have just grown some balls and cut my wrist in peace. I really don’t feel like there’s anything in this life for me. it’s like one bad thing happening after the other to me.. 


I’m only 20 and I’ve seen life more than any 32 year old has.. and I hate that. Why does it have to be struggle after struggle for me? Pain after pain, disappointment after effort.. it’s like God is giving me a sign to end my suffering.. to just go and be with my mother… Isn’t death suppose to be peaceful? isn’t heaven place to be one with yourself? I’m not sure but I’m curious enough to find out.

A crazy planet! Socialite Huddah Monroe exposes her y$$up!

Controversial Kenyan Socialite, Huddah Monroe, recently left many tongues after sharing a photo of herself almost exposing her v@gina.

The petite Socialite went ahead and told her haters to take their lame a$$ to the gym and let the ones who got bodies to show off. 

See the photos...




Thursday, 11 September 2014

Kendrick Lamar teaches Chris Brown a lesson!










Rap's favorite son tells hip-hop's anti-hero, "you reap what you sow"

Last week Kendrick Lamar debuted a heady collaboration with Flying Lotus and became the subject of a new college course. Meanwhile, Chris Brown pleaded guilty to punching a male fan who had the nerve to ask for a photograph while the singer was chatting up two women at a hotel. These two... While one draws comparisons to Jameses Joyce and Baldwin, the other continually evokes Ike Turner's off-stage history.

Somewhere, someone is writing an odd-couple sitcom series for this duo, and the theoretical theme song is here. Below, you'll find the leak of Brown's Lamar-featuring "Autumn Leaves," off of his oft-delayed album X, which hits stores next week. Therein, the strange bedfellows channel some pretty emo, Drake-like vibes — splitting the once rival Dreezy's duties, in fact, with Brown handling the singing and Lamar spitting the moody verse (despite being a triple threat, Breezy is still not a rapper).

"I seems that all the autumn leaves are falling / I feel like you're the only reason for it," Brown croons on the chorus, hitting some heart strings but still before it's Lamar's turn to dig in with some sage advice: "When you're outlandish and you lose manners, to God you shall consult / When the bright cameras are still cramming in your face and it provoke / You to act mannish, just stay planted, because you reaping what you sow."


Play: Autumn Leaves - Chris Brown feat. Kendrick Lamar

Monday, 8 September 2014

Diddy, Rick Ross & Kanye receive legal threat for jacking other rappers' music!



American rapper 9gotti has got himself some brass ones -- firing off a legal threat to three powerful rap icons -- Kanye West, Diddy and Rick Ross -- warning them to quit jacking his music.

At issue is a French Montana track called "Gucci Mane" which Kanye helped produce. A Philadelphia-based independent hip hop label Chinga Chang Records claims the song belonged to 9gotti ... 'before Yeezus and the others stole it from him.'



The record label sent a cease and desist letter that's pretty comical ... saying the ripoff may have been a "drunken oversight." It also takes a shot at Diddy -- accusing him of being a music thief -- and says Rick Ross should know better because he's an ex-correctional officer.

According to the letter ... French's song and 9gotti's tune are nearly identical. French's version hasn't been released yet ... and Chinga Chang is dead-set on making sure it never comes out.

Additional Reporting: TMZ
Follow @JKQ_OS

Sunday, 25 January 2015

Music as a business: Learning points


I’m going to start with the most obvious statement, just to get it out of the way—music is not a business, it’s an art. Business is something you do to make money, art is fun, love and applying skills to entertain and cause change.

But if you are artist man or woman who jerks at the sound of a swirling coin on concrete ground, you need to learn about music as a business because it goes without saying, you are struggling!

It’s not the absolute formulae, but I’ve written down some of the most important things you can look into;


Decide what you want!

It’s not a tough thing to figure out what to do with your art. If it’s business, stop thinking of yourself as an artist ever again, you are a business mindand the art is your product! This means creating a product that has a hungry audience. Competitors will claim you’re not a better artist, especially in Hiphop but yes, remember what we said in the second line.



Make use of various revenue sources


Having multiple revenue streams is a tried and true method of ensuring financial stability in any business. Make your music available in all trusted sources you are assured of getting something in return and solely depend on no one in particular. Simply, don’t cling onto one source as the father and mother, you will starve to death. Sometimes the mother is attending to other kids, and the father is out watching football.


Network

Make friends; artists friends, producer friends, presenter friends, anyone you know that can assist you in the industry. It takes two to tango.


You may like to read about:

The longest serving chart toppers on Mdundo

Bobby Mapesa and Vivianne share their experience together



Be a purple cow, cows are rarely purple

Being unusual is probably a bad idea in other professions, but it’s an asset in this. You know who are purple cows? Astronauts, Nobel Prize winners, Scientists. To sell art, it helps to grab the fan’s attention by creating works that are distinctly different from what already exists. It’s also smart for an artist to cultivate an aesthetic that is markedly his or her own. Famed artists such as Bob Marley, Yung Thug, Miriam Makeba, Sussan Owiyo all have one thing in common: their works look nothing alike.



Good Marketing Model

You are a brand, place is the ability to market your music, and yourself in the correct manner. Iv’e seen top musicians in Kenya who are very poor in branding/marketing. No hard feelings. Even the most basic things like photos matter. Get a photographer do like 10 proper photos and mail your media contacts, no one wants to use your poor quality Facebook photos. Be a professional, anything that touches you should be of quality. Now I’m not saying this is all, but using this example to illustrate my point: If you don’t promote yourself in the RIGHT way, you won’t go very far at all.

Is African Hiphop Recreating American?



International Hiphop should maintain A1 quality! Hiphop gets praised by diehards for remaining aboriginal, live and true to the genre’s roots.

American Hiphop scene has always been a huge church with very many styled ministers, and unstyled too. There is a ton of conscious music coming out, but wherever there is music there is crap music - you gotta have a super nerve to listen to a whole Yung Thug mixtape. That’s the state of US Hiphop.

Africa has a melting pot of it’s own! Matter fact, in 2014 commercial Hiphop in the region continued to make positive inroads, it was tried and tested. It’s graduation season 2015. But this lingering question though; is African Hiphop recreating American?



You might also like:

The longest serving chart toppers on Mdundo

Sautisol react to their loss to P-Unit


You can’t get an outright retort for that, but If we acknowledge that music practices flourish within a socio-cultural context and the fact that the world today is a ‘village’, the response to the question is a yes. We can therefore reason; American Hiphop scene has shaped the present African Hiphop practices we know. Our old homemade, distinctive scene is slowly fading.

While today’s commercial Hiphop in US is often critiqued for its shallow lyricism and degrading imagery, back here in Africa it’s the season for eye-catching flicks of champagne bucket-laden yachts, flashy cars, light girls in bikinis and the entire range of mixed messages that made American scene a success. Not bad, no finger pointing. See my previous post Dealing With Music As a Business In East Africa Part 1.

The way a voice sounds impacts the music an artist makes. In the early 00s a group called Silibil ‘n’ Brains landed a record deal in US by hiding their Scottish accents underneath a Californian drawl. A good number of African artists spill out in a casual American accent reflecting the image of American rap.

During one of our weekly Live Twitter Interviews with one of the best Hiphoppas in Kenya, Smallz Lethal, the rapper pointed out that "New cats need to step up their game, Hiphop is a lifestyle and originality is key."

But there’s a power African majority artists poses different from American. The use of African sounds, samples and the manner in which the lyrics are sung, rapped. It is from this context that the music of Africa must be seen as dynamic. Case study Sarkodie. The BET award winner is one of the most strategic commercial Hiphop artists in Africa. He is aware of the frontiers he’s crossing.

Kenya, Nigeria, South Africa, Ghana and Tanzania have a very active Hiphop scenes. Lyrically in that category, South Africans and Tanzanians will take the crown today. On a business perspective Nigerians and Ghanaians are doing great. Kenya is slowly picking up.

An important takeaway is Rap and hip-hop are still perceived as primarily African-American, and Africa made African American.

@swtsjakaqu

Monday, 22 September 2014

4 Jesus teachings from the Bible that everybody gets wrong!

It was once said, “religion is designed to comfort the afflicted and to afflict the comfortable.”

Jesus’ parables – short stories with moral lessons – were likewise designed to afflict, to draw us in but leave us uncomfortable.

These teachings can be read as being about divine love and salvation, sure. But, their first listeners – first century Jews in Galilee and Judea – heard much more challenging messages.

Only when we hear the parables as Jesus’ own audience did can we fully experience their power and find ourselves surprised and challenged today.

Here are four examples of Jesus’ teachings that everybody gets wrong:


1. The 'Parable of the Prodigal Son'




This parable is usually seen as a story of how our “Father in heaven” loves us regardless of how despicable our actions. This is a lovely message, and I would not want to dismiss it.

It is not, however, what first-century Jews would have heard. Jesus’ Jewish audience already knew that their “Father in heaven” was loving, forgiving, and compassionate.

It is Luke who sets up a message of repenting and forgiving. Luke prefaces our parable with two shorter ones: the Parables of the Lost Sheep and the Lost Coin.

The evangelist concludes them with, “There will be more joy in heaven over one sinner who repents than over ninety-nine righteous persons who need no repentance.”

But is this really what the parables are about? Jesus was not talking about ovine sin or coinage cupidity; sheep don’t feel guilty and coins don’t repent.

Moreover, the man loses the sheep; the woman loses her coin. But God does not “lose us.”

The first two parables are not about repenting and forgiving. They are about counting: The shepherd noticed one sheep missing out of 100, and the woman noticed one coin missing from 10.

And they searched, found, rejoiced, and celebrated. In doing so, they set up the third parable. The Prodigal Son story begins: “There was a man who had two sons … ”

If we focus on the one prodigal son, we mishear the opening. Every biblically literate Jew would know that if there are two sons, go with the younger: Abel over Cain, Isaac over Ishmael, Jacob over Esau, Ephraim over Manasseh.

But parables never go the way we want. We cannot identify with junior, who “squandered all he had in dissolute living.”

Next, if we see the father as surprising when he welcomes junior home, we mishear again. Dad is simply delighted that junior has returned: He rejoices and throws a party. If we stop here, we’ve failed to count.

The older brother – remember him? – hears music and dancing. Dad had enough time to hire the band and the caterer, but he never searched for his older son. He had two sons, and he didn’t count.

Our parable is less about forgiving and more about counting, and making sure everyone counts. Whom have we lost? If we don’t count, it may be too late.


2. The 'Parable of the Good Samaritan'




Our usual understanding of this famous story goes astray in several ways. Here are two.

First, readers presume that a priest and Levite bypass the wounded man because they are attempting to avoid becoming “unclean.” Nonsense.

All this interpretation does is make Jewish Law look bad. The priest is not going up to Jerusalem where purity would be a concern – he is “going down” to Jericho.

No law prevents Levites from touching corpses, and there are numerous other reasons why ritual purity is not relevant here.

Jesus mentions priest and Levite because they set up a third category: Israelite. To mention the first two is to invoke the third.

If I say, “Larry, Moe …” you will say “Curly.” However, to go from priest to Levite to Samaritan is like going from Larry to Moe to Osama bin Laden.

That analogy leads us to the second misreading.

The parable is often seen as a story of how the oppressed minority – immigrants, gay people, people on parole – are “nice” and therefore we should check our prejudices.

Samaritans, then, were not the oppressed minority: They were the enemy. We know this not only from the historian Josephus, but also from Luke the evangelist.

Just one chapter before our parable, Jesus seeks lodging in a Samaritan village, but they refuse him hospitality.

Moreover, Samaria had another name: Shechem. At Shechem, Jacob’s daughter Dinah is raped or seduced by the local prince. At Shechem, the murderous judge Abimelech is based.

We are the person in the ditch, and we see the Samaritan. Our first thought: “He’s going to rape me. He’s going to murder me.”

Then we realize: Our enemy may be the very person who will save us. Indeed, if we simply ask “where is Samaria today?” we can see the import of this parable for the Israeli/Palestinian crisis.


3. The 'Parable of the Laborers in the Vineyard'





This parable tells the story of a series of workers who come in at different points of the day, but the owner pays them all the same amount.

The parable is sometimes read with an anti-Jewish lens, so that the first-hired are the “Jews” who resent the gentiles or the sinners entering into God’s vineyard. Nonsense again.

Jesus’ first listeners heard not a parable about salvation in the afterlife but about economics in present. They heard a lesson about how the employed must speak on behalf of those who lack a daily wage.

They also discovered a prompt for people with resources: Attend to those who do not have jobs, and make sure everyone has what is needed.

Jesus does not invent this idea of advocating for the unemployed and sharing resources. The same concerns occur in Jewish tradition from King David onward. But, unless we know the biblical and historical sources, again we will mishear the parable.


4. The 'Parable of the Pearl of Great Price'





This parable describes a man who sells everything in order to obtain his prized pearl. It is usually allegorized to tell us about the centrality of faith, or the church, or Jesus, or the Kingdom of Heaven. But commentators cannot conclude what the pearl represents.

Perhaps they are looking in the wrong place.

We don’t recognize the parable’s initial absurdity today – the merchant (a wholesaler who sells us what we don’t need at a price we cannot afford) sells everything he has for a pearl.

He can’t eat it, or sit on it; it will not cover much if it’s all he wears. But, he thinks this pearl will fulfill him.

What if the parable challenges us to determine our own pearl of great price? If we know our ultimate concern, we should be less acquisitive. We won’t sweat the small stuff.

More, we become better able to love our neighbors, because we will know what is most important to them.

Jesus’ short stories provoke us because they tell us what, somehow, we already know to be true, but don’t want to acknowledge.

Follow @jkq_os

Monday, 15 September 2014

Sources: Wangechi's BFF Tiona contemplated her own death!


Sources have revealed that rapper Wangechi's best friend, Tionna Wang Chi, who died in a car accident over the weekend, almost joined the suicide sphere after suffering a bout of deep depression.

Tionna's personal blog shows that she contemplated suicide too many times after her parent's death. (Read the extract below).

The friends who were on their way to an undisclosed location are believed to have suffered a tire burst when the accident happened. The result was so severe that the car they were in was left a mangled wreck as they were rushed to Nairobi Hospital.

Tionna died after sustaining serious injuries.

Lately, I’ve been thinking of the time I was suicidal.. There really isn’t anything good about that time. I don’t recall a happy moment or a time I smiled. I was just… Dead, I guess. I was literally numb to everything, I had no one to talk to. Im an only child with two parents that are gone. The only thing I have left are my thoughts.. which aren’t good.

 I keep of thinking on that day.. maybe I should have continued to cut myself.. maybe I should have killed myself when I had the chance, I should have just grown some balls and cut my wrist in peace. I really don’t feel like there’s anything in this life for me. it’s like one bad thing happening after the other to me.. 


I’m only 20 and I’ve seen life more than any 32 year old has.. and I hate that. Why does it have to be struggle after struggle for me? Pain after pain, disappointment after effort.. it’s like God is giving me a sign to end my suffering.. to just go and be with my mother… Isn’t death suppose to be peaceful? isn’t heaven place to be one with yourself? I’m not sure but I’m curious enough to find out.

A crazy planet! Socialite Huddah Monroe exposes her y$$up!

Controversial Kenyan Socialite, Huddah Monroe, recently left many tongues after sharing a photo of herself almost exposing her v@gina.

The petite Socialite went ahead and told her haters to take their lame a$$ to the gym and let the ones who got bodies to show off. 

See the photos...




Thursday, 11 September 2014

Kendrick Lamar teaches Chris Brown a lesson!










Rap's favorite son tells hip-hop's anti-hero, "you reap what you sow"

Last week Kendrick Lamar debuted a heady collaboration with Flying Lotus and became the subject of a new college course. Meanwhile, Chris Brown pleaded guilty to punching a male fan who had the nerve to ask for a photograph while the singer was chatting up two women at a hotel. These two... While one draws comparisons to Jameses Joyce and Baldwin, the other continually evokes Ike Turner's off-stage history.

Somewhere, someone is writing an odd-couple sitcom series for this duo, and the theoretical theme song is here. Below, you'll find the leak of Brown's Lamar-featuring "Autumn Leaves," off of his oft-delayed album X, which hits stores next week. Therein, the strange bedfellows channel some pretty emo, Drake-like vibes — splitting the once rival Dreezy's duties, in fact, with Brown handling the singing and Lamar spitting the moody verse (despite being a triple threat, Breezy is still not a rapper).

"I seems that all the autumn leaves are falling / I feel like you're the only reason for it," Brown croons on the chorus, hitting some heart strings but still before it's Lamar's turn to dig in with some sage advice: "When you're outlandish and you lose manners, to God you shall consult / When the bright cameras are still cramming in your face and it provoke / You to act mannish, just stay planted, because you reaping what you sow."


Play: Autumn Leaves - Chris Brown feat. Kendrick Lamar

Monday, 8 September 2014

Diddy, Rick Ross & Kanye receive legal threat for jacking other rappers' music!



American rapper 9gotti has got himself some brass ones -- firing off a legal threat to three powerful rap icons -- Kanye West, Diddy and Rick Ross -- warning them to quit jacking his music.

At issue is a French Montana track called "Gucci Mane" which Kanye helped produce. A Philadelphia-based independent hip hop label Chinga Chang Records claims the song belonged to 9gotti ... 'before Yeezus and the others stole it from him.'



The record label sent a cease and desist letter that's pretty comical ... saying the ripoff may have been a "drunken oversight." It also takes a shot at Diddy -- accusing him of being a music thief -- and says Rick Ross should know better because he's an ex-correctional officer.

According to the letter ... French's song and 9gotti's tune are nearly identical. French's version hasn't been released yet ... and Chinga Chang is dead-set on making sure it never comes out.

Additional Reporting: TMZ
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